"And light has no weight, Yet one is lifted on its flood, Swept high, Running up white-golden light-shafts, As if one were as weightless as light itself – All gold and white and light." Lawren Harris, Painter 1885-1970
I've been thinking quite a bit lately about this blog and my plans to revamp it around the idea of creativity-spirituality-art. A few things keep on replaying in my mind: the act of creating, inspiration and freedom. What do these mean? What do I want to say about them? And during this process, different artists names have come to mind: Bill Viola, Twist (yes, I'm putting them in the same sentence) and then today Bjork creeped into my thoughts.
Now you can love or hate her music. It's one or the other. One thing you can't deny is the woman is inspired. She's moved to create. She's given herself the freedom to do it her way. I don't like all her music. But the fact that she exists and IS and DOES I find Inspiring.
Now to my Bjork story. The year is 1988 or so...and I'm in highschool. It's a school night but I really want to go to One Step Beyond and hang out. If memory serves me correct it was a Wednesday and Tara was down to go. We show up and the place is dead. There couldn't be more than 20 people there to watch some band called the Sugarcubes who are scheduled to play. Tara and I sat down and ordered a drink (non alcohol of course) and as we are sitting there the tinniest little girl walked in through the front door with two men behind her but I barely noticed them. I was completely transfixed by her being. Seeing her was like realizing fairies were real and one had just waltzed in. She was ethereal. Her face was smooth and white as alabaster and her hair a shock of black. She had a deep part; hair was combed over and right in the middle of her head she wore a wide, shiny red hairpin to keep it in place. It was an awkward placement. I couldn't stop staring at it. That pin was like a koan to my brain -"WHAT IS THE SOUND OF ONE HAND CLAPPING?" I'm sure my mind melted a bit. It definitely expanded. I can't remember the top she wore but I do recall her skirt made out of stretchy material with a wire at the bottom seam. It was a perfect replica of the skirt the Jetson's mom wore, only silver. Honestly, my world was never the same after seeing her. All I can remember thinking was "Where the F$#@ did she come from?" and being so in awe of someone who was so honestly themselves.
A short time later, she ended up on stage singing God knows what. I couldn't understand a word she said and the music was so new my brain really could not process it all. Tara and I did not stay long after that but Bjork, who was soon after to became a huge success, forever become a symbol to me of the act of being inspired, free and surrendering to the act of creating.
"My grandmother used to tell me that as you sat in Quaker silence you were to go inside to greet the light. That expression stuck with me." James Turrell, From the interview titled "Greeting the Light" by Richard Whittaker at www.conversations.org
Years ago I studied in London and when the time came for me to return to California, one of the last things I did was go see a James Turrell exhibit with my best friend. I had no idea who he was, or what he did, but because there was a line to get into the room of his installation we decided to check it out.
Only a few people were allowed in at a time. Our turn finally came and we entered into a very large dark room with a far wall lit up in a beautiful hue of blue. The room was massive, with an extremely high ceiling, very wide and the far wall was some distance away. We slowly approached the lit up wall and all I could think of was "this is lame", "what's so great about a big room with one wall lit up?"
We casually walked closer and closer all the while I my "Cosmopolitan" brain wasn't able to get what the big deal was. Sure, it was a nice blue, but does lighting up a wall constitute fine art? It would make a nice party room (I was young, forgive me). We finally reached the wall and I stood there staring at it and then all at once I gasped, I raised my arm and reached out in front of me. I felt my mind and entire body expand, there was no wall.
a friend posted this blast from the past on his facebook. i LOVE mercedes sosa and this song is one of my favorites. below you can find the english translation to this song written by violeta parra. my heart gets big just listening to the song. vida, yes, I am very grateful. even when i'm sad, or mad, or scared, frustrated or at my wits end....in those times especially it's imperative to remember the little things that make life a beautiful song.
IN GRATITUDE TO LIFE
Thank you, Life, for you gave me so much. You gave me two stars for eyes and when I open them I can perfectly distinguish black from white And up above in the skies the constellations And in the crowds the man I love.
Thank you, Life, for you gave me so much. You gave me ears so that I can hear And record the sounds day and night of Crickets, canaries, factories, dogs barking, The rain falling, and the sweet voice of my loved one.
Thank you, Life, for you gave me so much. You gave me the sounds and the alphabet And with them the words I think of and declare Mother, friend, brother and light shining Over the route of my loved one's soul.
Thank you, Life, for you gave me so much. You gave my tired feet the strength to walk On them I have visited cities and potholes Beaches and deserts, mountains and valleys And your house, your street, your backyard.
Thank you, Life, for you gave me so much. You gave me my heart that beats like a drum When I see the fruits of the human brain When I see good so far away from evil When I look in the depth of your beautiful eyes.
Thank you, Life, for you gave me so much. You gave me laughter and tears So I can express happiness and sorrow The two elements my songs are made of And your songs, which are like my songs, And everybody's songs, which are also mine.